Monster Mash: Rrsatz Horror Songs from Why Do They Call You Deuce (2022)
The boy has grown to hate the stuff.
This will take him to the final aisle,
where the cases frame what has
come to define his cul de sac & all
its surrounds. Every television tells
him what he needs to know. Every
sibling & parental unit is the same.
Once he saw it move in the family
fridge. So he breaks the window on
the final aisle & casts the white foam
containers to the gleaming floor,
scored as it is by an endless
progression of shopping carts &
Keds. & still there is the center
display to ruin : grab any stick &
make it so. & when you reach the
end cap, take a swing. The damage
is done before they take you away
on skates.
We lost the plot but gained our
footage in the passageway. The trick
is to watch at least 2 films in a row.
Otherwise you are trapped in 1
space, never mind the cuts. The cuts
are across your face. The cuts are
how life goes.
Never stay too long. You become
the mark on the wall. Or the
opening. You become the hole in
the wall. You leave this place.
In 1 frame the monster is caught in a
window, only he doesn’t know it. He
thinks it’s just been a bad night
flashing the locals. Now 1 has come
for him. At least the window is shut,
& he can hide in the kitchen with his
phone while his wife takes care of
the mess. The next shot, eerie
perspective, catches him in the wide
open sliding glass door. The
monster inside & out. The
neighborhood cat he didn’t bother
to notice. His body torn out of the
car. Last shot, Bettie Page air
freshener, vanilla scent.
Find Why Do They Call You Deuce on Bandcamp.
Recorded 2021 - 2022 by RRSATZ.
Mastered by Tim Green at Louder.
Visual design by Adrian Carroll.
Joe sang, once by phone.
Satish played trumpet and muted trumpet.
Dan absently played keyboard and guitar.
N8 flew in to play drums and knew the others.
J †Johnson sang and played bass about horror movies.
Matt played bass and guitar, and also engineered, produced and hosted.
Juan-Carlos played guitar and bass and sang a song under circling birds.
Some of this happened near a turbid canal under an elevated section of freeway. The rest of it happened far and wide because that is one way you can make recordings in whatever year it now is.
Some of us were once in a band called The Scrams. We all left 87102. Joe moved back but no one else has.